Electric Guitars
PRS Dave Navarro Signature Custom 24
Carved maple top with mahogany back
25" scale length mahogany
24-fret neck with rosewood fretboard
Mother of Pearl bird inlays
Neck carve - wide thin
PRS tremolo
PRS 14:1 Phase II low mass locking tuners
Gold hardware
Custom "Dave Navarro" truss rod cover
HFS treble and Vintage bass pickups
Volume and push/pull tone control
3-way toggle pickup selector
Finishes - Jet White
I have several of these, each with it's own sound and personality. As a result of the different tunings we use from song to song, I have two in standard tuning, one with a dropped "D" and one with a top secret special tuning. A few of them still have a cheat sheet with chord changes taped on them from when I did a performance with Jay-Z.
In addition my "main" PRS collection, also have a Gibson Flying V, Gibson Les Paul, Gibson SG, John 5 signature Fender Telecaster (which was from a trade for a signature Navarro PRS), Vox Teardrop, EVH Charvel (Christmas gift from Carmen), Fender Strat and a ton of other stuff in my arsenal. In most cases, I go with a white and gold hardware scheme.
Acoustic Guitars
Yamaha Dave Navarro Signature Model LLX6
I wanted to stay with my all white guitar theme, so Yamaha made me a white acoustic with all kinds of rad specifications. I really like how white "pops" on stage and changes color under the lights. I had black binding added as a nice detail as well as having the interior painted black. Nothing worse than an all white and black guitar with a wood finish under the strings. I went with a pearl-esque tuning peg to keep the white theme going and placed star inlays along the ebony fretboard. The result? Rad Black & White contrast style. Oh yeah. I had Yamaha put my old Spread unicorn logo on the headstock instead of my name. It just felt classier. Plus, it's the same logo I have tattooed on my right forearm.
Amplification
Marshall JCM 900
Marshall Mode 4
For smaller clubs I use the JCM 900 with the built in channel switching system. When playing in larger venues, I combine the two, using the 900 for the dirty sound and the Mode 4 for the clean sound with an a/b box on the floor for switching between the two. Because of the high output of the PRS pickups I use, I find that at louder volumes, the Mode 4 will produce a cleaner sound than the 900.
Effects
2 Boss Digital Delay pedals (set at different speeds)
Boss Octave
Boss Super Chorus
Dunlop Jimi Hendrix Cry Baby (The Hendrix model seems to have a wider "sweep" than the original models.)